OTHELLO (05/23/17)
Gloriously cinematic despite being made on a tiny budget, Orson Welles’s Othello is a testament to the filmmaker’s stubborn willingness to pursue his vision to the ends of the earth. Unmatched in his passionate identification with Shakespeare’s imagination, Welles brings his inventive visual approach to this enduring tragedy of jealousy, bigotry, and rage, and also gives a towering performance as the Moor of Venice, alongside Suzanne Cloutier as his innocent wife, Desdemona, and Micheál MacLiammóir as the scheming Iago. Shot over the course of three years in Morocco, Venice, Tuscany, and Rome and plagued by many logistical problems, this fiercely independent film joins Macbeth and Chimes at Midnight in making the case for Welles as the cinema’s most audacious interpreter of the Bard.
European Version
1952 * 93 minutes * Black & White * Monaural * 1.37:1 aspect ratio
U.S. Version
1955 * 93 minutes * Black & White * Monaural * 1.37:1 aspect ratio
SPECIAL EDITION FEATURES
New, restored 4K digital transfers of two versions of the film, the 1952 European version and the 1955 U.S. version, with uncompressed monaural soundtracks on the Blu-ray
Audio commentary featuring filmmaker Peter Bogdanovich and Orson Welles scholar Myron Meisel
Return to Glennascaul, a 1953 short film made by MacLiammóir and actor Hilton Edwards during a hiatus from shooting Othello
New interview with Welles biographer Simon Callow
New interview with Welles scholar François Thomas on the differences between the two versions
New interview with Ayanna Thompson, author of Passing Strange: Shakespeare, Race, and Contemporary America
Interview from 2014 with Welles scholar Joseph McBride
More!
PLUS: An essay by film critic Geoffrey O’Brien
